Disorientation is so honest, vulnerable, courageous and funny that it left me dying to sit down over a long coffee with Ian Williams. Make that two lattes, and I’m buying!” — Lawrence Hill, author of The Book of Negroes

Ian Williams is the author of seven books of fiction, nonfiction, and poetry. His book, Disorientation, considers the impact of racial encounters on ordinary people. His book Reproduction won the Scotiabank Giller Prize and was published in Canada, the US, the UK, and Italy. His poetry collection, Word Problems, converts the ethical and political issues of our time into math and grammar problems. It won the Raymond Souster Award. His previous collection, Personals, was shortlisted for the Griffin Poetry Prize and the Robert Kroetsch Poetry Book Award. His short story collection, Not Anyone’s Anything, won the Danuta Gleed Literary Award for the best first collection of short fiction in Canada. His first book, You Know Who You Are, was a finalist for the ReLit Poetry Prize. He is a trustee for the Griffin Poetry Prize. His newest book What I Mean to Say: Remaking Conversation in Our Time (The CBC Massey Lectures), seeks to ignite a conversation about conversation, to confront the deterioration of civic and civil discourse, and to reconsider the act of conversing as the sincere, open exchange of thoughts and feelings.

Williams completed his Ph.D. at the University of Toronto. After several years teaching poetry in the School of Creative Writing at the University of British Columbia, Williams returned to the University of Toronto as a tenured professor of English. He was the 2014-2015 Canadian Writer-in-Residence for the University of Calgary’s Distinguished Writers Program. He has held fellowships or residencies from Vermont Studio Center, the Banff Center, Cave Canem, and the National Humanities Center. In 2022, he will be the Visiting Fellow at the American Library in Paris.

Ian's Featured Titles

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Determining Your Writing Profile: 9 Questions to Unlock Your Creativity

So often writers try to squeeze ourselves into someone else’s methods or advice. The premise of this talk is that a sustainable writing practice begins with a knowledge of your strengths and natural inclinations. Through guided questions, we will explore how your temperament and personality intersect so that you can hone your writing process instead of fighting yourself.

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Disorientation: Being Black in the World

With that one eloquent word, disorientation, Ian Williams captures the impact of racial encounters on racialized people—the whiplash of race that occurs while minding one’s own business. Williams explores such things as the unmistakable moment when a child realizes they are Black; the ten characteristics of institutional whiteness; how friendship forms a bulwark against being a target of racism; the meaning and uses of a Black person’s smile; and blame culture—or how do we make meaningful change when no one feels responsible for the systemic structures of the past.

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Nothing More Than Feelings: A Poetry Workshop

People instantly associate poetry with feelings, and poets oblige by continuing to dump our feelings there. Through this talk Ian aims to attune us afresh to how we represent our feelings, and he considers the following questions: how can we transmit our highly personalized feelings to readers in a way they can appreciate? What’s the difference between a thought and a feeling? No poetry experience is expected.

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What Can a Poem Be and Do?

This talk is for people who think they don’t like poetry. We ultimately discover why and how poems give us pleasure.

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Demystifying Inspiration: Generating Material for Writers

It’s time to stop waiting for inspiration! This talk offers four specific and reliable ways to generate poems. How can we take control of our writing process so that we are guaranteed a good productive writing session every day? Together we’ll try all four strategies, demystify the secrets of very productive writers, and supercharge our poetic output once more.

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How and Why Should I Live a Creative Life?

This talk makes two assertions:

  1. All writers struggle against internal factors (doubt, fear, anxiety) and external ones (how will I make money? where do I fit among society’s priorities?) to find value in their creative pursuit.
  2. A creative life is possible, even necessary, for everyone, not simply for artists.
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Disorientation by Ian Williams, 2021 Hilary Weston Writers’ Trust Prize for Nonfiction finalist

Introduction to Reproduction… and to Ian Williams

The American Library in Paris: Ian Williams on Racialization and Disorientation

The Disorienting Politics of Being Black | The Agenda

Ian Williams’s Upcoming Events

Honors, Awards & Recognition

Professor, University of Toronto
Finalist, Griffin Poetry Prize
Finalist, Amazon Canada First Novel Prize
Visiting Fellow, American Library in Paris
Winner, Scotiabank Giller Prize
Winner, Raymond Souster Poetry Award
Winner, Danuta Gleed Literary Award
Finalist, Hilary Weston Writers’ Trust Prize for Nonfiction
Finalist, ReLit Poetry Prize

Media Kit

By clicking the link below you will be directed to a Google Docs Folder
where you can download author photos and cover images.

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